The Fate of Prometheus Essay -- Prometheus

The Fate of Prometheus Ah me, alas, anguish, offend ever, forever / No change, no pause, no hope Yet I endure (I, 23-24) such atomic number 18 the words of Prometheus, when in desperation and overwhelmed by emotion, his thoughts dissolve in dilute agony and turn to himself, away from the the right way God whose ill absolutism has nailed him to the eagle-baffling mountain (I, 19-20). In his essay, Prometheus The romanticist Revolutionary, Northrop Frye observes that pain is the condition which keeps Prometheus conscious (96), because in reflection, he is confronted with himself, and his sense of self and creation. plainly he is quick to reverberate once again on the reprehensible King (I, 50), who has sentenced him to his fate, after mendicity the natural world to hear his cries and non punish him, no drawn-out to injure his b bingles by suntan cold (I, 33) the chains that bind off him or let Heavens winged hound (I, 33) track down upon him. His words echo his e arlier sentiment, constitute in Aeschylus work, where he mourns himself, as a spectacle of pity (14) who must concede the disease of tyranny (13) . In his quest and the earlier part of his imprisonment, Prometheus unagitated longed to engage and relate to the Olympian, as a counterpart of himself (Frye 96), as one god contesting with another for creator over and influence on the world. This effort resulted in the imprisonment of Prometheus, because he craved to incite a revolution, where he desired not to substitute the degenerate system of Jupiter but profane it. Frye reminds us that Jupiters really impetus is toward chaos rather than ensnare (96), as understood through the initial conversation between Prometheus and the Earth, where he identifies her as a live spirit (I, 139) but she is fearful of that description... ...wer-hungry and futile spirit-self within him, which had fastened him to the rock, the altar on which the Priest-King Jupiter had punished him without relief with the mogul given him. In button his true self, Prometheus recognizes the eternal truth that his being was never bound. Works CitedAeschylus. Prometheus Bound. 7 Famous Greek Plays. Ed. Whitney J, Oates and Eugene ONeill jr. overbold York Vintage Books, 1950. 5-42.Frye, Northrop. Prometheus The Romantic Revolutionary. A Study of English Romanticism. New York Random House, 1968. 87-124.Kierkegaard, Soren. Sickness Unto Death. A Kierkegaard Anthology. Ed. Robert Bretall. Princeton Princeton University Press, 1962. 339-371.Shelley, Percy Bysshe. Prometheus Unbound. Shelleys Poetry and Prose. Ed. Donald H. Reiman and Neil Fraistat. New York W. W. Norton & Company, Inc., 2002. 206-283. The Fate of Prometheus Essay -- PrometheusThe Fate of Prometheus Ah me, alas, pain, pain ever, forever / No change, no pause, no hope Yet I endure (I, 23-24) such are the words of Prometheus, when in desperation and overwhelmed by emotion, his thoughts dissolve in she er agony and turn to himself, away from the Mighty God whose ill tyranny has nailed him to the eagle-baffling mountain (I, 19-20). In his essay, Prometheus The Romantic Revolutionary, Northrop Frye observes that pain is the condition which keeps Prometheus conscious (96), because in reflection, he is confronted with himself, and his sense of self and being. But he is quick to call once again on the cruel King (I, 50), who has sentenced him to his fate, after begging the natural world to hear his cries and not punish him, no longer to injure his bones by burning cold (I, 33) the chains that bind him or let Heavens winged hound (I, 33) feed upon him. His words echo his earlier sentiment, found in Aeschylus work, where he mourns himself, as a spectacle of pity (14) who must suffer the disease of tyranny (13) . In his quest and the earlier part of his imprisonment, Prometheus still longed to engage and relate to the Olympian, as a counterpart of himself (Frye 96), as one god contesting with another for power over and influence on the world. This struggle resulted in the imprisonment of Prometheus, because he craved to incite a revolution, where he desired not to transform the degenerate system of Jupiter but overturn it. Frye reminds us that Jupiters real impetus is toward chaos rather than order (96), as understood through the initial conversation between Prometheus and the Earth, where he identifies her as a living spirit (I, 139) but she is fearful of that description... ...wer-hungry and egotistical spirit-self within him, which had fastened him to the rock, the altar on which the Priest-King Jupiter had punished him without relief with the power given him. In freeing his true self, Prometheus recognizes the eternal truth that his being was never bound. Works CitedAeschylus. Prometheus Bound. 7 Famous Greek Plays. Ed. Whitney J, Oates and Eugene ONeill Jr. New York Vintage Books, 1950. 5-42.Frye, Northrop. Prometheus The Romantic Revolutionary. A Study of Eng lish Romanticism. New York Random House, 1968. 87-124.Kierkegaard, Soren. Sickness Unto Death. A Kierkegaard Anthology. Ed. Robert Bretall. Princeton Princeton University Press, 1962. 339-371.Shelley, Percy Bysshe. Prometheus Unbound. Shelleys Poetry and Prose. Ed. Donald H. Reiman and Neil Fraistat. New York W. W. Norton & Company, Inc., 2002. 206-283.